Kayla Strasburg
EDMT 380-003 Traditional Podcasting in the Classroom
Fall 2008
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Lesson Plan Summary
The following lesson is aimed at seventh or eighth grade students. These students will read one of three books as part of an Arab-American theme unit. The books they may choose from include Habibi by Naomi Shihab Nye, Sunrise Over Fallujah by Walter Dean Myers, or Palestine by Joe Sacco. After reading one of these books, the groups of students who selected the same book will create a podcast. In their podcasts, students should provide a brief summary of the book, answer critical questions that are posed on the student assignment handout, and provide some follow-up activities for their books. This podcast will serve as an assessment tool to determine whether the students were able to comprehend their respective books and how well they are responding to critical issues.
Student Assignment (Microsoft Publisher file)
Student Assignment (PDF file)
Critical Literacy Traditional Podcast (mp3 file)
English/Language Arts Standards
A.8.1 Use effective reading strategies to achieve their purposes in reading.
- Establish purposeful reading and writing habits by using texts to find information, gain understanding of diverse viewpoints, make decisions, and enjoy the experience of reading
- Select, summarize, paraphrase, analyze, and evaluate, orally and in writing, passages of texts chosen for specific purposes
A.8.2 Read, interpret, and critically analyze literature.
- Identify the defining features and structure of literary texts, such as conflict, representation of character, and point of view
- Analyze the effect of characters, plot, setting, language, topic, style, purpose, and point of view on the overall impact of literature
- Develop criteria to evaluate literary merit and explain critical opinions about a text, either informally in conversation or formally in a well-organized speech or essay
A.8.3 Read and discuss literary and nonliterary texts in order to understand human experience.
- Provide interpretive responses, orally and in writing, to literary and nonliterary texts representing the diversity of American cultural heritage and cultures of the world
- Identify common historical, social, and cultural themes and issues in literary works and selected passages
- Draw on a broad base of knowledge about the themes, ideas, and insights found in classical literature while reading, interpreting, and reflecting on contemporary texts
Information and Technology Literacy Standards
A.8.1 Use common media and technology terminology and equipment
A.8.5 Use media and technology to create and present information
- Design and produce a multimedia program
- Plan and deliver a presentation using media and technology appropriate to topic, audience, purpose, or content
B.8.7 Communicate the results of research and inquiry in an appropriate format
- Determine the audience and purpose for the product or presentation
- Select a presentation format appropriate to the topic, audience, purpose, content, and technology available
- Develop an original product or presentation which addresses the information problem or question

Introduction Musical Introduction |
Literacy is no longer defined just as the ability to read and comprehend written word. New forms of literacy are popping up in this increasingly technological world. One new form that is gaining in classrooms around the world is critical literacy. During the podcast I will define critical literacy and why it is important for students to learn and use. I will also provide an example of a critical conversation based on the book Hattie Big Sky and explain some follow-up activities for students to do after reading all or parts of the book. |
Chapter 1: Defining Critcal Literacy Musical Interlude between chapters for 5 seconds |
First we must answer the question, what is critical literacy? Randy and Katherine Bomer define the term as "the habits of listening and considering different sides; the ability to collaborate, deliberate, and differ; respect for others as civic equals; a commitment to avoid and resist repression and discrimination; the development of concerned agendas; a deep understanding of the traditions and concepts that create and sustain democracy; and fluency in communicative and democratic processes." Also, Dominic Scott defines critical literacy as "the ability to talk and relate powerfully in ways that help shape one's own destiny." Now, I don't know about you, but to me, both definitions seem heavy on big words and light on real meaning. A definition of critical literacy that is easier to understand is looking at the world from a social perspective and reacting critically to the many social issues that are so prevalent in and among the world's diverse societies. There are several critical literacy concepts, many of which are well-known and often talked about and others which are not heard of as often. Following is a list of these critical literacy concepts.
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Chapter 2: Why is Critical Literacy Important? Musical Interlude between chapters for 5 seconds |
Now that we know the definition of critical literacy and some of its concepts , you may be asking yourself "why should I care about critical literacy as an educator?" One reason is that critical literacy can be used with any age of student. Kindergartners and first graders are just as able to talk about race, for example, as seniors in high school. There will be a few differences in the depth of conversation and vocabulary, of course, but younger students, as well as older students, will have their opinion about any topic. Next, critical literacy bridges the gap between the world the student is familiar with and the world that is presented in the text, which may be historically different or geographically different, for example. Also, and most idealistically of all reasons, having students well versed in critical literacy can help to create better informed adults of the next generation. This in turn will help reduce or even eliminate the multitude of serious social issues. There are a number of other reasons why critical literacy is important, but I hope these have helped sway you into believing its importance in the classroom. Next, I will demonstrate to you how to build a critical conversation about a text. |
Chapter 3: An Example Critical Conversation Musical interlude between chapters for 5 seconds |
Again, this critical conversation is based on the young adult novel Hattie Big Sky by Kirby Larson. The two questions posed in this conversation are taken from Randy and Katherine Bomer's textbook about critical literacy in the classroom. The first question is what are some of the critical issues in Hattie Big Sky? Why do these issues stand out? Use details from the text to explain. (Pause for a bit before asking next question) How does this text make you think about justice in the world? (Pause a bit before concluding chapter) Having students answer these and many other questions will get them talking about issues that are generally avoided in the classroom, yet which are very prevalent in the media and the world in which the students are immersed. |
Chapter 4: Critical Literacy Activities Musical interlude between chapters for about 5 seconds |
There are a multitude of ways to get students talking about critical issues other than simply asking them the critical quesions. Here I will provide you with four activities that can also incite a critical conversation in the classroom. These activities also use Hattie Big Sky as a source of information and organization. The first activity is a WOW Graph. Students choose ten to fifteen of what they deem are the most important events of the whole book or section of the book. After choosing these events, the students will rate them on a graph based on how exciting the events were in terms of the plot. Some example ratings include boring, riveting, very exciting, or wow! Some of the events that the students choose lend themselves nicely to a critical conversation. Another activity is known as Living Statue. For this activity, students choose a character from the book and act out the character's main traits. Other students then walk by the statue and talk to or ask questions of the character. Any student acting as Traft Martin, the so-called "bad guy" in Hattie Big Sky, would be sure to get an earful from the rest of the class as they chide him for his hateful acts or as they question him about his less-than-desirable behavior. The Talk Show activity is similar to the Living Statue activity in that some students are selected to portray the main characters of the book. Another student is selected to be the talk show host. Before the talk show takes place, the class can write questions for the host to ask. This activity is a great way for students to live the book. And ideally, the host should ask questions that bring up some of the critical issues in the text. An additional activity geared toward students in upper level grades is creating a podcast enacting a critical conversation. Students can answer critical questions, hold discussions about the text, or even hold a talk show interviewing characters from the book. |
Conclusion Musical Exit |
I hope I have provided you with some pertinent information and helped you understand the importance of critical literacy. For more information about critical literacy, check out the resources used to create this podcast. These sources include For A Better World: Reading and Writing for Social Action by Randy and Katherine Bomer; Literacy Moves On: Popular Culture, New Technologies, and Critical Literacy in the Elementary Classroom edited by Janet Evans; and the Newbery Honor Book Hattie Big Sky by Kirby Larson. |
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Date Updated
November 26, 2008
Any Questions? Contact strasbkj@uwec.edu